Bibliografy
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Chiusdino. Il suo territorio e l'Abbazia di San Galgano
- Author: Marini Massimo
- Publisher: NIE
- Date: 1995
- Topic: Art
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Edited by A. Favini, "Abbazie, Monasteri ed Eremi nel paesaggio della Toscana"
Size: cm 33,5x25, 240 pages, 154 photos and colour tables
ISBN: 88-88718-18-4
Price: € 50,00.
Discount for online purchases: 35%.
Price for online purchases: € 32,50.
Shipment and handling: please ask.
Editori dell'Acero
This book aims to provide an intriguing journey through the most important monastic sites in Tuscany, looking beyond their immediate beauty.
The basis of the work comprises high quality photographs and a text whose purpose is to provide a brief summary of the history, geografy and spirituality of the phenomenon of monasticism.
The book's main purpose is to offer the reader a tool so that he can gradually grasp the dimension of silence, harmony and balance in the monasteries and hermitages together with their position in the landscape. In addition, we want to make the vibrations given off by the walls, sculptures and decorations come alive, even when they have become part of ruins or buildings in disrepair.
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Edited by A. Favini e A. Naldi, "Tesori segreti della campagna toscana"
Size: cm 31x29, 228 pages, 134 photos and colour tables
ISBN: 8886975-44-9
Price: € 48,00.
Discount for online purchases: 35%.
Price for online purchases: € 31,20.
Shipment and handling: please ask.
Editori dell'Acero
On exploring the Tuscan countryside, a land where the past has left behind a rich number of traces, we should be looking for the origins of the relationship between our soul and history, the real, everyday culture, and the roots of the emotions that are triggered off by contact with what we see.
Therefore, the beauty is not a banal and superficial escape, but a starting point for a search that does not lies outside our feelings, but is rather aimed at understanding the history of the places in their wider sense: places as the expression of the spirit of those who came before us.
These places are kind a sort of archetype of certain ideas and images which have accompanied us since childhood. And so if we bring emotion into our search for knowledge, the emotion will have the chance to link to objective references, to facts, to material objects whose form, style and poetic language we will be able to better understand.
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